The Tourist Trade Was Murder in Victorian England

elstree_parish_church_burial_of_william_weare

The Burial of William Weare, from “The Fatal Effects of Gambling Exemplified in the Murder of Wm. Weare.” T. Kelly, 1824.

Today we have CSI: Every City in America and then Some. Patricia Cornwell makes a killing with her Scarpetta series. People binge watch Making of a Murderer. But in Victorian England, citizens had no such luxurious entertainments. When murder didn’t come to them, they went to the murder.

The murder tourism trade was rampant during the Victorian era in England as the time saw a powerful focus on death and dying. Victorians took on many rituals surrounding death, developing traditions during periods of mourning, and maintaining keepsake notions like clipping a lock of hair from a dead person and keeping it in a locket, and even death photos in which the dead were photographed. This delight with death sparked a surge in entertainments focused on murder.

Murder tours were all the rage. The Radlett murder in 1823 sparked a wealth of murder entertainment. The Radlett murder involved three men mired in the vices of gambling and boxing who killed a fourth man, William Weare. The three murderers were led by John Thurtell, a sports promoter. He believed Weare had cheated him out of money and murdered him on October 24, 1823. Tourists would visit the location of the murder, a cottage in Radlett, Hertfordshire, England to survey the scene of the crime. Even Sir Walter Scott would visit the cottage a few years after the crime.

Tourists flocking to murder scenes was so common, a trade built up around it. Sightseeing tours to murder locations became quite common. In relation to the Radlett murder, the tour would take visitors not only to the cottage where the murder took place but to the local churchyard and the pond where the murderers hid. Finally the tour would stop at the Artichoke Inn, the place where the corpse was carried during the execution of the murder, and the proprietor of the inn, a Mr. Field, would be required to answer questions of the visitors.

L0036393 Mourning brooch containing the hair of a deceased relative. Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Mourning brooch containing the hair of a deceased relative. Photograph 19th Century Published: - Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Mourning brooch containing the hair of a deceased relative

So popular were these tours, that tradesmen began to capitalize on them by creating souvenirs for tour-goers. In the case of the Radlett murder, at the end of the tour you could acquire a bit of the sack that was used to carry the corpse of William Weare or a book and a map of the murdered body’s journey. Staffrodshire pottery was even developed around the murder. But tourists took it even further.

When news of a murder got out, murder-hungry tourists would race to the location in the hopes of a public auction. Fanatics would buy up any materials that were auctioned off in the hopes of getting something from the murder scene. When that wasn’t enough, they would flock to the executions to see the murderers hanged. In the case of John Thurtell, an estimated 40,000 people attended. But it wasn’t just the crime scenes and mementos that pulled in the tourists. Murder spawned entertainment of a much more creative nature as well.

Murder plays and poetry abounded from sensational murders. Poetry accompanied action illustrations in broadsheets published during murder trials at the height of public frenzy. In the case of the Radlett murder, Thurtell once again was the focus with –

From bad to worse he did proceed,
‘mid scenes of guilt and vice,
Until he learn’d the cursed art,
To play with cards and dice.

Spectators would buy up these broadsheets, especially if they couldn’t afford newspapers. These publications would feed their yearning for more sensation as the trial went on. But even more so did plays move to stoke the public’s interest.

The Gamblers, or, The Murderers at the Desolate Cottage opened at the Surrey on November 17, 1823, not one month after the murder. The Gamblers would reappear on stage immediately following Thurtell’s execution. So hungry for murder plays was the public that it was not uncommon for plays based on real-life murders to play over and over again to packed houses.

While it may seem uncouth or perhaps disrespectful to the dead for people to carry on so, I bring you back to the present where the recent adaptation for television of the O.J. Simpson trial won an Emmy for outstanding limited series. Perhaps we’re not all that different from Victorians. Perhaps it’s just that advancements in technology has changed how people revel in the forbidden of murder. Getting safely close to the danger of murder through entertainments like shows and books. Perhaps now murder simply comes to us.

Jessie Clever

Sources:

Flanders, Judith. The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime. New York: St. Martin’s Press, 2011, pp. 20-41.

About Jessie Clever

jessieclever_tobeadebutante_800In the second grade, Jessie began a story about a duck and a lost ring. Two harrowing pages of wide ruled notebook paper later, the ring was found. And Jessie has been writing ever since.

Taking her history degree dangerously, Jessie tells the stories of courageous heroines, the men who dared to love them, and the world that tried to defeat them.

Jessie makes her home in the great state of New Hampshire where she lives with her husband and two very opinionated Basset Hounds.

Her most recent release is To Be a Debutante: A Spy Series Short Story. Find out more at jessieclever.com.

Advertisements

The Restoration: a Brilliant Period for Historical Romance

With so many British historical romances set in the nineteenth century, you would be forgiven for thinking nothing happened in England before the Regency. Although the nineteenth century was a time of progress and those famous balls at Almack’s, I decided to set my new historical series two hundred years earlier in the seventeenth century. 

Charles II in exile

The Southwark Saga begins in 1671, eleven years after the restoration of Charles II. The Restoration is an exciting period to read, write and research. It was a time of change and was characterized by cataclysmic events, such as the English Civil War that saw the execution of Charles I and the exile of his son with a significant part of the Court. The Plague killed more than a quarter of London’s population between 1665 and 1666 and was chronicled in Defoe’s nightmarish Journal of a Plague Year. The last of that was wiped out by the Great Fire of London, which incinerated most of the medieval City of London over a four day period, destroying 13,200 houses and 87 churches including St. Paul’s cathedral, and killing or displacing thousands of people. After the fire, London was rebuilt with a new street plan designed by Christopher Wren, and began to take on the shape it is today, with the new St. Paul’s Cathedral as its crowning glory. 

Solomon Eccles

There were also many larger than life figures who we still remember to this day. Charles II, “The Merry Monarch” had more mistresses than there are days in the week and more than a dozen illegitimate children, and when the Great Fire threatened to consume the entirety of London, he and his brother, the Duke of York, fought the fire themselves. Diarist Samuel Pepys meticulously recorded his daily life in the 1660s, providing an invaluable resource for historians, while John Wilmot, the Earl of Rochester, entertained and enraged with his bawdy verse. Out on the streets, you’ll find Solomon Eccles, a composer who had a religious awakening and spent his days nude with a dish of burning coals on his head, urging passers-by the repent as they did their shopping. 

Nell Gwyn

The Restoration is a wonderful time to set fiction, and particularly romance. With the Civil War behind them, London was in the mood to celebrate. The theaters reopened and women were allowed onstage, providing cheap entertainment to people of any class most nights of the week. The rigid social structure and excessive manners of the nineteenth century had not set in yet, and the social mobility of the time was second to none. Courtesans regularly rose above their stations, such as Nell Gwyn, who rose from being an orange seller of humble birth to become Charles II’s favorite mistress. 

The poor could still marry with little more than a declaration and a witness. Highwaymen haunted the forests and roads around the city, and execution at Tyburn was a real threat to them and anyone caught stealing anything worth more than a shilling. For excitement, color, and danger, you’ll be hard pressed to find a time better for fiction than the seventeenth century. 

Tyburn, the first book of The Southwark Saga, follows Sally Green, a French immigrant and Covent Garden prostitute as she tries to escape her unfortunate circumstances. Hero Nick Virtue, a private domestic tutor turned highwayman, must decide if saving her is worth risking his life.

In Virtue’s Lady, Lady Jane Ramsey attempts to marry out of wealth when she falls for Nick’s brother, Mark, an ex-convict and carpenter who lives in the slum in Southwark. Five years after the fire, Mark is still struggling to adapt his business for a city that no longer wants wooden houses, and the last thing he needs is an earl taking shots at him for ruining his daughter. 

In both books, I hope to show you what the Restoration was like from the ground up. You’ll feel the dirt, smell the river, and taste the terrible, terrible coffee right along with the characters as you are introduced to a new world in historical romance. I invite you to join me in the seventeenth century, and I very much hope you’ll enjoy The Southwark Saga. 

For a directory of my history posts about this period, click on the Seventeenth Century History Posts tab above or click here. This page is a work in progress, but so far I have short articles on infamous highwayman Claude Duval, The Great Fire of London, the Plague, the Cheapside Hoard, condom use, mortality, executions at Tyburn, Newgate prison, illegitimacy, Guy Fawkes, coffee, the lead content in makeup, and a whole lot more. Be sure to check it out! If there are any seventeenth century subjects you would be particularly interested in reading about, please leave your suggestions in the comments below and I will see what I can do. 

Thanks for stopping by!