On May 4th, 1897, a fire broke out at the Bazar de la Charité. The bazaar was an annual event in Paris, organized by the aristocracy to raise money for their favorite charities through the sale of various items. 1897 was its thirteenth year, and a fantastic structure was built for the occasion at Rue Jean-Goujon 17.
The building was 240 feet long and only 62 feet wide, and the long, thin gallery was packed. A temporary medieval village had been built inside, and because it only needed to last for the four days the bazaar was open, cheaper materials had been used. The miniature houses, shops, and stalls selling items were built out of cardboard and pine and decorated with papier-mâché. The roof itself was tarred canvas, and a gas-filled balloon hung from the center of it. The temporary floor covered a shallow pit the carpenters had filled with their plywood scraps.
It was a popular event, and on the night of May 4th, an estimated 1,800 people were in attendance. They came from all over Europe and America to see and be seen, to support the charities and meet the aristocratic women volunteering at the booths. It was an important society event like no other. For the sake of charity, some otherwise unapproachable young aristocratic women would let fans kiss their cheeks for money. It was for a good cause, after all.
At the entrance to the bazaar was another draw—a cinematograph playing short films. It ran on ether and oxygen. Within twenty minutes of the bazaar’s opening for the night, a match lit to illuminate the cinematograph ignited the ether and oxygen. Both are extremely flammable and can cause explosions under the right conditions.
Conditions that night couldn’t have been better for catastrophe. The fire quickly spread to the cheap wall hangings, burning the pine plywood and climbing to the canvas roof. The papier-mâché wilted and the cardboard went up like kindling. Burning tar dripped from the ceiling, scalding skin and igniting hair. Throughout the 1890s, petroleum-based hair lotions and dry shampoos were popular in Paris and London, but they could spontaneously combust when they were near enough heat. Most of the damage was done within the first ten minutes, and though firefighters arrived quickly, for many it was too late.
Inside, people were trampled and some suffocated in the panic. The fire seemed to be coming from the main door, and none of the other seven exits were clearly marked. When they were found, many were jammed shut when people tried to force them, not realizing they opened to the inside. Within thirty minutes, the building had been reduced to ash, and all that remained were charred bodies and scraps of women’s clothing.
Most of the 126 dead and more than 200 injured were women, and many of them were aristocrats. Though the night would have been a great opportunity to show off their best dresses, it was the dresses themselves that kept the women from escaping. The size and shape of them could hinder movement, but most of them just caught fire.
In the 19th century, some of the most popular fabrics for women’s clothing were also the most flammable. Bobbinet, muslin, tarlatan, and gauze were delicate, diaphanous, and looked great by gaslight. They glowed in the right conditions, but the airiness of the fabrics was what made them so dangerous. All their beautiful, flimsy dresses went up like paper, spreading from one skirt to the next. With everyone so close together in the stampede, there would have been no way to prevent a dress from catching short of tearing it off.
That’s what many women did. On the street outside, other female passersby waited to help the victims rip off their burning dresses. But those who escaped with their dresses intact could not count on avoiding injury. Some made it out only to discover their underwear burning beneath their clothes.
Sophie Charlotte of Bavaria, the Duchess of Alençon and sister to the Empress of Austria, lost her life in the fire. She remained until everyone working under her had been rescued. When she was found, her body was so badly burned that she had to be identified by her dentist, who recognized the gold fillings in her teeth. Some other victims could only be identified by their dental records, making the fire an important landmark in early forensic dentistry.
Others were identified by surviving items of clothing or personal effects. Elise Blonska, Jules Claretie’s librarian, was identified by her distinctive orthopedic corset. Identified by her jewelry was Jeanne de Kergorlay, who died saving others. A stronger woman, she stayed inside to help lift people up to escape through a high window. She died when the floor collapsed beneath her.
Not everyone in the fire was as heroic. Eyewitnesses reported seeing men toss women out of the way or beat them back with canes to escape themselves. On May 16th of 1897, The New York Times detailed these reports in an article titled “Cowardice of Paris Men Exhibited in Brutal Form During the Burning of the Charity Bazaar.” Because of the class of the men involved, some Parisian newspapers tried to cast doubt on the accusations. Surviving women confirmed them, however, and though no names were mentioned, the numbers do support those accounts—of the 126 dead, only six were male, among them a 14-year-old groom and a 5-year-old child.
At the end of the day, many of the heroes were of a humbler class. Aside from the many women who lost their lives trying to save their workers, visitors, and each other, a number of others distinguished themselves in their efforts to help. The cook and manager of the Hôtel du Palais next door—M. Gaumery and Mme Roche-Sautier—pulled 150 people to safety through the kitchen window of the hotel. Two priests at a neighboring convent—Father Bailly and Father Ambroise—helped to evacuate 30 people. Firefighters saved as many as they could, and onlookers stood by to help the women out of their flaming dresses.
In the aftermath of the fire, the site became a place of pilgrimage. A prominent undertaker was told to obtain dozens of pine coffins as quickly as possible, but when he found out who they were for, he ordered better ones. The public was likewise affected, and the Chapel of Our Lady of Consolation was later built on the site, funded by the public. Every year on May 4th, Mass is held there to commemorate the victims.
Blume, Mary. Remembering a Belle Époque Inferno in Paris. The New York Times.
Nudson, Rae. A History of Women Who Burned to Death in Flammable Dresses. Racked.
Vincent, Susan. Hair: An Illustrated History.
Walton, Geri. The Tragic 1897 Charity Bazaar Fire of Paris.
Winock, Michel. L’incendie du Bazar de la Charité. L’Histoire.
Bonfire of Destiny is streaming now on Netflix.
I have it as a scene in my mystery Floats the Dark Shadow and I first read about it in Cornelia Otis Skinner’s Elegant Wits and Grand Horizontals.
Very cool! It would be great to use in a book.
[…] Bridgerton, this French drama steers away from the comedic but fully embraces romance. Based on a real-life tragedy, the series starts with a fire that kills many women at a charity bazaar in 1890s Paris. We then […]
This is a great supplement to the lesson I taught my US HIstory II students about New York’s Triangle Factory Fire in 1911. I showed the students the first episode of the Bonfire of Destiny. They were hooked to the screen and immediately recognized the contributing factors to the fire and resulting deaths. The Triangle Factory Fire had pictures of the scenes and interviews of the survivors but it didn’t have the same impact as the episode. The students wanted to know if it was based on a true story and couldn’t wait to investigate more about the incident! Even though it’s not related to US History it is remarkably similar and they realized how it was not solely a US problem but a world problem that required safety regulations, etc. Thanks for this!
[…] Référence 1 […]